Epstein, along with Moore and Hepworth, all expressed a deep fascination with the non-western art from the British Museum. These sculptures were often executed with roughly textured surfaces, expressively manipulating small surface planes and facial details. Bronze portrait sculpture formed one of Epstein's staple products, and perhaps the best known. A commission from Holden for the new headquarters building of the London Electric Railway generated another controversy in 1929. Credits Sir Jacob Epstein (10 November 1880 – 21 August 1959) was an American-British sculptor who helped pioneer modern sculpture. One day, Epstein noticed a police constable standing in Agar Street, who was looking up at his creations, whilst furiously scribbling something into his notebook. He often produced controversial works which challenged ideas on what was appropriate subject matter for public artworks. "[23], Despite being married to and continuing to live with Margaret, Epstein had a number of relationships with other women that brought him his five children: Peggy Jean (1918–2010), Theo (1924–1954), Kathleen (1926–2011), Esther (1929–1954) and Jackie (1934–2009). , Even here, a visitor became so outraged as to defile it with paint. He completed a bust of Winston Churchill in early 1947. Spotted a problem? Epstein's major public sculptures One of the most famous of Epstein's early commissions is Oscar Wilde's tomb in Père Lachaise Cemetery, Paris, "which was condemned as indecent and at one point was covered in tarpaulin by the French police."[15]. His nude sculptures Day and Night above the entrances of 55 Broadway were again considered indecent and a debate raged for some time regarding demands to remove the offending statues which had been carved in-situ. After a small tour of American fun fairs, the works were returned to Blackpool and were exhibited in the anatomical curiosities section of Louis Tussaud's waxworks. [11][12] People in Liverpool nicknamed his nude male sculpture over the door of Lewis's department store (1954–56) "Dickie Lewis". After completing bronze busts of Admiral of the Fleet Sir Andrew Cunningham, General Sir Alan Cunningham, and Air Marshal Sir Charles Portal - and Ernest Bevin, Epstein accepted a commission to create busts of John Anderson and Winston Churchill. Gilboa Raquel, Jacob Epstein's model Meum: Unpublished drawings, This page was last edited on 7 October 2020, at 00:36. These were often exhibited at the Leicester Galleries in London. The series begins here. True, it has only been possible to borrow a few of his monumental carvings and large bronzes because some are in architectural or other settings from which they could not be … He also made paintings and drawings, and often exhibited his work. He was born in the United States, and moved to Europe in 1902, becoming a British subject in 1911. He was one of 250 sculptors who exhibited in the 3rd Sculpture International, which was organised by the Fairmount Park Association (now the Association for Public Art) and held at the Philadelphia Museum of Art in the summer of 1949. | portraits, and as an occasional painter and illustrator. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. After 1916 he lived and worked in London for the rest of his life. Epstein's first major commission was to illustrate Hutchins Hapgood's 1902 book Spirit of the Ghetto. His family was middle-class, and he was the third of five children. It is on display at The New Art Gallery Walsall.[30]. Between the late 1930s and the mid-1950s, numerous works by Epstein were exhibited in Blackpool. The final photo-essay by Dr Nick Maroudas on Jacob Epstein’s public sculptures around London. His sculpture is distinguished by its vigorous rough-hewn realism. reading:Jacob Epstein, Epstein: An Autobiography, London 1955Evelyn Silber, The Sculpture of Jacob Epstein with a Complete Catalogue, Oxford 1986 Evelyn Silber and Terry Friedman, Jacob Epstein was Jewish,[18][19][20][21] and negative reviews of his work sometimes took on an antisemitic flavour, though he did not attribute the "average unfavorable criticism" of his work to antisemitism. George Grey Bernard. The works were displayed alongside dancing marionettes, diseased body parts and conjoined ("Siamese") twin babies in jars. Epstein lived at no. In no other city in Europe were figures were figures in sculpture of the nature shown on the building in the Strand thrust upon the public gaze. Such factors may have focused disproportionate attention on certain aspects of Epstein's long and productive career, throughout which he aroused hostility, especially challenging taboos surrounding the depiction of sexuality. Avant-garde in concept and style, his works often shocked his audience. He worked even on his dying day. Oscar Wilde's tomb, 1912, Père Lachaise Cemetery, Paris, Lilian Shelly, bronze, 1920, Burrell Collection, Glasgow, UK, Joseph Conrad, 1924, National Portrait Gallery, London[note 1], Hudson Memorial Bird Sanctuary, 1924, Hyde Park, London, The Visitation, 1926, Queensland Art Gallery, Day and Night, Portland stone, 1928, London Electric Railway headquarters, 55 Broadway[note 2], Albert Einstein, 1933, Birmingham Museum and Art Gallery, George Bernard Shaw, 1934, National Portrait Gallery, London, The Archangel Lucifer, 1944–45, round gallery of Birmingham Museum & Art Gallery, Liverpool Resurgent, 1956, Lewis's store, Liverpool, Edward Sydney Woods, 1958, Lichfield Cathedral, Pan Statue, also known as Rush of Green, 1961, by Edinburgh Gate, south side of Hyde Park, London. He often produced controversial works which challenged ideas on what was appropriate subject matter for public artworks. Epstein: Sculpture and Drawings, exhibition catalogue, Leeds City Art Galleries and Whitechapel Art Gallery, London 1987.
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