Hitchcock wanted Norman Lloyd to do his own stunt here, so it could be done without a cut. There's some wonderfully quirky stuff in this one. Saboteur (1942) In Alfred Hitchcock's exciting "wrong-man" spy thriller in the WWII era, it was about the efforts of a suspected and framed saboteur to confront and capture the real fifth columnist and foreign saboteur, in order to clear his name - a cross-country road-chase ensued that climaxed atop the Statue of Liberty (an NYC landmark) with a fall to … We see it in his early British films like The Man Who Knew Too Much and Jamaica Inn, as well as later classics like Vertigo and North By Northwest. The most famous part of Saboteur is its climax atop the Statue of Liberty. but add to the viewer’s sense of helplessness and awe. Alfred Hitchcock had a penchant for staging his film climaxes in high places, with a risk of falling posed to one or more of the central characters. Following leads, he travels across the country to New York City trying to clear his name by exposing a gang of fascist-supporting saboteurs led by apparently respectable Charles Tobin. This site uses Akismet to reduce spam. Black Tom Island Explosion - According to this new history this explosion caused damaged to the torch of the Statue Of Liberty. Hitchcock then cuts to a long shot as Fry (now played by a stuntman) falls, grabbing on between the thumb and index finger on Lady Liberty’s hand. After about 3 seconds, Hitchcock cuts to a standard medium two-shot, with Barry Kane holding a gun on Fry. Newsreel footage of an actual capsized liner (the Normandie) precedes this exciting film's Statue of Liberty finale, a scene that's cinematic newcomer Norman Lloyd's big moment. Hitch then cuts to a medium shot of Barry Kane looking down, followed by this shot from Kane’s POV, looking at Fry (Lloyd again) holding on precariously. The lower portion and base of the statue are matted in here. Change ), You are commenting using your Facebook account. Val Lewton, Selznick's story editor, eventually rejected the script, which reviewer Leonard Maltin later called "extremely offbeat," so Selznick forced Hitchcock to offer it to other studios, "causing ill feelings between the producer and his director since it not only showed a lack of belief in Hitchcock's ab… Hitchcock then cuts to a long shot of Barry Kane climbing over the railing in an attempt to get to Fry. California warrplane factory workers Barry (Robert Cummings) and Mason (Virgil Summers) encounter the mysterious Fry (Norman Lloyd), then a disaster, in the … (North by Northwest, Vertigo, Strangers on a Train all ended abruptly.) Avid movie lover, reader, and writer. It holds up very well over 75 years later. A study and appreciation of the films and legacy of Alfred Hitchcock (with occasional detours to other classic films). Saboteur (1942) cast and crew credits, including actors, actresses, directors, writers and more. We don’t need to see Pat and Barry’s life afterwards — … However, it is Barry who is accused of the fiery sabotage, and to clear his name he sets off on a desperate, action-packed cross-country chase that takes him from Boulder Dam to New York's Radio City Music Hall to the top of the Statue of Liberty. After shifting the point of view from Kane to Fry, Hitchcock is going to shift it back to Kane again. What a wonderful review on this wonderful scene. Intro Aired: Mar 2017. He then pulls back to give the audience this establishing long shot. Then we get this shot, which holds for about five seconds. Saboteur is one of those movies. Kane has grabbed a hold of Fry’s sleeve. After showing us Fry from Kane’s point of view, he all of a sudden shifts to Fry’s point of view. Black Tom Island Explosion - According to this new history this explosion caused damaged to the torch of the Statue Of Liberty. I love that classic scene as well. During scenes where Barry Kane (Robert Cummings) is vociferously attempting to convince authorities and presumably everyday patriotic individuals that fascists are disguised as prominent, wealthy citizens and indeed behind imminent acts of sabotage, he is never likewise backed up by Pat Martin (Priscilla Lane) who could have--should have--contributed her voice with the same sense of urgency, but instead frustratingly remains mostly passive with Barry Kane … When you break it down, you can see that each of the 47 distinct pieces of film serves a very specific purpose. Saboteur (1942) - They Must Be Terribly In Love Change ), You are commenting using your Twitter account. Alfred Hitchcock had a penchant for staging his film climaxes in high places, with a risk of falling posed to one or more of the central characters. View all posts by wemisse. Saboteur (DVD) : Barry Kane is a Los Angeles aircraft factory worker who witnesses a Nazi agent firebombing his plant. But first he is going to “reset” the POV by giving us a neutral two-shot, which lasts a brief two seconds but serves its purpose. The camera pulled up from the floor to the ceiling rapidly, as Lloyd flailed his limbs, pantomiming falling. The famous Statue of Liberty scene is not for the agoraphobic. Hitchcock then cuts to a close up of Barry Kane’s reaction to Fry’s plummet to his death. ( Log Out / “I’ll get your sleeve” Kane says, and we see his hand stretching down. BTW, I noticed that you said this film was made ’75 years ago’, despite the fact it was made in 1942 and it’s 2019 now. This averages out to approximately one cut per 3.4 seconds. Of course when Lloyd flipped backwards over the railing, he was only a few feet from the floor, with a nice soft cushioned landing. The sequence runs roughly 2 minutes and 38 seconds, with 47 editorial cuts. David O. Selznick loaned out Alfred Hitchcock to UNIVERSAL for SABOTEUR. Our hero Barry Kane (played by Robert Cummings) has finally cornered saboteur Frank Fry (Norman Lloyd), a man he has tracked from coast to coast. ( Log Out / Aircraft factory worker Barry Kane flees across the United States after he is wrongly accused of starting the fire that killed his best friend. Hitchcock on Hitchcock – Edited by Sidney Gottlieb, HITCHCOCK AND SELZNICK by Leonard J. Leff, MARNIE Deconstruction of a Scene: Marnie steals the money, PSYCHO Deconstruction of a Scene: Arbogast questions Norman Bates, Footsteps in the Fog – Alfred Hitchcock’s San Francisco by Jeff Kraft and Aaron Levanthal, Hitchcock on Hitchcock Volume 2 – Edited by Sidney Gottlieb, VERTIGO Deconstruction of a Scene: Argosy Book Shop, ROPE Deconstruction of a Scene: A trunk, a talk and a hat, SHADOW OF A DOUBT Deconstruction of a Scene: Signature Scenes, SABOTEUR Deconstruction of a scene: The Statue of Liberty finale, NORTH BY NORTHWEST: Deconstruction of a Scene (The crop duster sequence), THE BIRDS (1963): "Birds just don't go around attacking people without no reason. Factory worker Barry Kane (Robert Cummings) is wrongfully accused of setting a deadly fire at an airplane plant in an apparent act of sabotage. From here the cutting will become even more rapid. Hitchcock loved to sneak one of these shots in to most of his films. There is a life-size reproduction of the statue’s hand with the torch, a smaller mock-up of the statue, as well as matte painting effects and live action film. Movie Title/Year and Scene Descriptions. ... Cornered villain Fry (Norman Lloyd) flees Pat (Priscilla Lane), Barry (Robert Cummings) and the cops in this signature scene atop the Statue of Liberty from Hitchcock's Saboteur, 1942. Change ). The Statue of Liberty was used by the team to make an entrance to the slime-covered museum where Vigo was about to reborn. Directed by Alfred Hitchcock. Next comes the incredibly dramatic fall, a shot of about 4 seconds, as Fry falls away from us crying “Kaaaaaaaane!” This shot was done with Norman Lloyd sitting on a custom saddle-like chair, on the floor of the studio sound stage, against a black screen (the precursor of today’s green screen). This sequence is relatively short, at just over two-and-a-half minutes, and it is thrilling from start to finish. Cornered villain Fry (Norman Lloyd) flees Pat (Priscilla Lane), Barry (Robert Cummings) and the cops in this signature scene atop the Statue of Liberty from Hitchcock's Saboteur, 1942. ——— Igor Khainskyi:Audiojungle: https://audiojungle.net/user/heartdru...Spotify: https://open.spotify.com/artist/4vnDu...Patreon: https://www.patreon.com/musicforvideo----• Licence: You're free to use this song and monetize your video. SABOTEUR Deconstruction of a scene: The Statue of Liberty finale. The climax features Fry hanging over the side of the torch, with Kane trying to save him. The Hard Way (1991) The scene on top of the billboard is not only a reference to Hitchcock's "North by Northwest" but also to his earlier work "Saboteur", in which a fight takes place on top of the Statue of Liberty. Hitchcock will cut away from Fry’s suit, then back to it in a series of shots. A young man accused of sabotage goes on the lam to prove his innocence. Newsreel footage of an actual capsized liner (the Normandie) precedes this exciting film's Statue of Liberty finale, a scene that's cinematic newcomer Norman Lloyd's big moment. As per Bartholdi’s design, the original … Finally we are back to Kane’s POV for this shot, which lasts about 3 seconds. Hitchcock was under contract to David O. Selznick, so he first pitched the idea for the film to him; Selznick gave the okay for a script to be written, assigning John Houseman to keep an eye on its progress and direction. This is what I call the God’s eye view shot. Change ), You are commenting using your Google account. Now we get the first close up of the shoulder seam in Fry’s suit starting to pull apart. Hitchcock cuts back briefly to a medium of Kane, then back to Fry in close up. The famed Statue of Liberty sequence takes place on the torch platform, which had actually been closed to public access since the Black Tom sabotage in 1916. The splitting of Mussburger's pant leg as he dangles in midair in The Hudsucker Proxy (1994) recalls the splitting of the saboteur's sleeve preceding his fall from the Statue of Liberty. This type of shot can break camera logic (whose point of view are we supposed to be seeing?) The Original Torch Of Statue of Liberty Torch Wasn’t Lighted. I mean, it ends with Fry falling off the Statue of Liberty after being chased to the top. A mock-up built for filming accurately depicted this part of the statue. SABOTEUR Deconstruction of a scene: The Statue of Liberty finale Alfred Hitchcock had a penchant for staging his film climaxes in high places, with a risk of falling posed to … Dorothy Parker (and others) wrote its screenplay based on Hitchcock's original story idea. ", LIFEBOAT (1944): "Aren't you going to kill me? The Statue of Liberty scene According to the American Film Institute, in Saboteur , Hitchcock was able to "create one of the more ambitious sequences of '40s cinema: Cummings hair-raising struggle with Norman Lloyd on a then-convincing replica of the Statue of Liberty's torch, which remains effective even some seventy years after it was shot. The scene also used innovative visual effects. We see it in his early British films like The Man Who Knew Too Much and Jamaica Inn, as well as later classics like Vertigo and North By Northwest. Screenshots. David O. Selznick loaned out Alfred Hitchcock to UNIVERSAL for SABOTEUR. Hitchcock next cuts back to Barry Kane, first in a medium shot, then a long in quick succession. Hitchcock then cuts to a close-up of the hands,which allows us to see the sleeve as it finally tears completely. Finally we go back to a POV shot, as Kane looks down at Fry. There is a sequence set on top of the Statue of Liberty in Remo Williams: The Adventure Begins (1985). Newsreel footage of an actual capsized liner (the Normandie) precedes this exciting film's Statue of Liberty finale, a scene that's cinematic newcomer Norman Lloyd's big moment. ", VERTIGO (1958): "I need you to be Madeleine for awhile. Every time he cuts away, he gives us a completely different view of the Statue, all of them emphasizing the height, as Fry’s situation becomes more precarious. (You can use it only for YouTube videos)--- • Optional support (Thanks) Please provide the following in the description of your upload: Music: Day Of Recon - Max Surla, Media Right Productions https://youtu.be/omF3PuWuATE Hitchcock also does something interesting here. Norman Lloyd on Statue of Liberty scene in Hitchcock's Saboteur, stunt work Hitchcock cross-cuts between a wide shot of the statue and the seam of Fry’s shirt ripping. After Ray Stantz and Winston Zeddemore coated the interior with positively char… Los Angeles aircraft worker Barry Kane evades arrest after he is unjustly accused of sabotage. Dorothy Parker (and others) wrote its screenplay based on Hitchcock's original story idea. The film ends here, rather abruptly, almost before Kane can climb into her waiting arms. Standout sequences include the disturbing opening act of sabotage, a daring escape scene in which Cummings leaps into a river à la Harrison Ford in The Fugitive, an incredible movie theater scene in which onscreen gunfire turns shockingly real, a lavish party scene in which Cummings and Lane are seemingly trapped, and the classic climax in which Cummings and Lloyd dangle precipitously from … And finally, Barry Kane climbs back up to the torch where Pat Martin (Priscilla Lane) is waiting for him. Saboteur, American spy film, released in 1942, that was one of director Alfred Hitchcock ’s notable thrillers, especially known for its climactic sequence atop the Statue of Liberty. Hitchcock continues to hold this shot for about 9 seconds, as Kane backs Fry up to the railing, which Fry then flips over and falls. Due to this damage no one has been allowed up on the torch since 1916.---Related Videos:Black Tom Island Explosion Mandela Effect (New History)https://www.youtube.com/watch?v=PdyRP_F-5Bc---The Walk - On The Torch Statue of Liberty Mandela Effecthttps://www.youtube.com/watch?v=a220NGFBjLE\u0026t=8s----⭐ Free Download / Stream: https://alplus.io/chase———⚠️ You’re free to use this track, but you must include the credits in your description (Copy \u0026 Paste):––––––––––––––––––––––––––––––Track: Chase — Igor Khainskyi [Audio Library Release]Music provided by Audio Library PlusWatch: https://youtu.be/3fPqQcwXwKkFree Download / Stream: https://alplus.io/chase–––––––––––––––––––––––––––––– Track Info:Title: Chase by Igor KhainskyiGenre and Mood: Cinematic + DramaticLicense: Royalty-free music for YouTube, Facebook and Instagram videos giving the appropriate credit. Addeddate 2013-11-13 04:17:13.427149 Color B&W Ia_orig__runtime 1 minutes 56 seconds Identifier SaboteurTrailer Run time 1:56 Sound SABOTEUR trailer. Kane follows Fry out onto the arm of Liberty’s torch, which is where the sequence begins. ", REAR WINDOW (1954) PART TWO: THEMES AND IDEAS. Then the shot was run in reverse with the background matted in. ", REAR WINDOW: Deconstruction of a scene - The death of a dog, THE BIRDS: Deconstruction of a scene - The death of a farmer, SHADOW OF A DOUBT Deconstruction of a Scene: Signature Scenes, STRANGERS ON A TRAIN (1951): "You do my murder and I do yours. Cornered villain Fry (Norman Lloyd) flees Pat (Priscilla Lane), Barry (Robert Cummings) and the cops in this signature scene atop the Statue of Liberty from Hitchcock's Saboteur, 1942.> Play Now Ben Mankiewicz Intro -- Saboteur (1942) Ben Mankiewicz introduces Saboteur, 1942. One of the most striking early examples is the climax of Sabotuer, which takes place atop the Statue of Liberty. ( Log Out / This scene was shot with the hand resting on its side, so the actor could rest against it without having to literally hang on. Hitchcock knew exactly how to represent visually what he wanted his viewers to experience emotionally, a skill at which he would only improve over time. (You can use it only for YouTube videos)---Day Of Recon - Max Surla, Media Right Productions (No Copyright Music)https://www.youtube.com/watch?v=omF3PuWuATE\u0026list=PLzCxunOM5WFIudfMTgJzXkOE-xbVWrpIF\u0026index=44---• Track Info: Title: Day Of Recon Artist: Max Surla, Media Right Productions Genre: Cinematic Mood: Dark Download: https://www.youtube.com/audiolibrary/...---• Licence: You're free to use this song and monetize your video. The abrupt ending is quite ‘Hitchcockian’. THE SOUND OF HITCHCOCK Join Academy Award-winning sound designers as they reveal how Alfred Hitchcock employed sound to make audience members leap from their seats in fright or crawl under them from excruciating suspense. Create a free website or blog at WordPress.com. ( Log Out / For a black and white sequence shot in 1942, it holds up admirably. We are looking up at Fry’s hands holding on. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. As Kane lowers himself down, the pace of the cutting begins to pick up a bit. David O. Selznick loaned out Alfred Hitchcock to UNIVERSAL for SABOTEUR. Hitchcock opens on Barry Kane in a medium shot, opening the door and walking out onto the torch walkway. Norman Lloyd on Statue of Liberty scene in Hitchcock’s Saboteur, stunt work. With Priscilla Lane, Robert Cummings, Otto Kruger, Alan Baxter. The composite pieces of film here all blend very well together. An impressive stunt for the young actor, nonetheless. Dorothy Parker (and others) wrote its screenplay based on Hitchcock's original story idea. There are a few short shots here cutting between the two men, until Kane finally lowers himself closer to Fry. Robert Cummings is accused of sabotage and ends up on top of the Statue Of Liberty in Alfred Hitchcock's Saboteur (1942). One thing that makes this sequence unique is the amount of special effects work. While huddled at Ecto-1a, the Ghostbusters saw the Statue of Liberty's image on Ecto's license plate. Learn how your comment data is processed. Opens on Barry Kane climbs back up to the torch, with Barry climbing... Get to Fry stunt here, rather abruptly, almost before Kane can into. Your Twitter account Barry Kane climbs back up to the torch of the 47 distinct pieces film... Next cuts back to Fry, hitchcock cuts to a POV shot, opening the door and walking out the. Fill in your details below or click an icon to Log in: you commenting! Of special effects work few short shots here cutting between the two men, Kane. Matted in see that each of the Statue of Liberty 's image Ecto... ( with occasional detours to other classic films ) stunt here, so it could be done without a.... 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