External Reviews Sent to cover an event in Germany, he gets to know Andreas Hartmann, another writer who, for his part, ... See full summary », Peter Lenz, a mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing ... See full summary ». I have tried to find out some more about this classic and beautiful actor, but the internet contains very little information beside her biography, and that she was Swiss, and died in 1974. Chabrol is playing around with genres here, exaggerating for effect. Милашки (1960) – Les bonnes femmes – Всё о фильме: даты выхода, актеры, трейлеры, фото. The story of four shopgirls, their work and social lives, has all the plotless and poignant banality of realism, while the closing third, with its move from Paris to the country, its seducer-cum-motorbike-riding-devil (reg. An analysis of the power relations in an ordinary family. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Directed by. User Ratings Chabrol's career is often seen as moving from the naturalism of his early films to the extreme stylisation of his great mid-period. I think that Les Bonnes Femmes(1960) had a slight influence on Ms. 45(1981) especially on the working relationship of woman. Télécâble Sat. A friend of mine - a film scholar - once said that this film shouldn't work but it does. Les Bonnes Femmes Johann Wolfgang von Goethe, poète, romancier, dramaturge, théoricien de l’art et homme d’État allemand (1749-1832) Ce livre numérique présente «Les Bonnes Femmes», de Johann Wolfgang von Goethe, édité en texte intégral. Au téléphone avec votre prétendant ou votre amoureux, c’est à vous qu’il revient de clôturer l’échange. it has an ambigious quality about it, almost paradoxical. Whatever happened to Clotilde? He looks back on his marriage to her mother. Fitting for its genre, it is intense, dark, sensual, and poetic. The film depicts the lives of four Parisian shopgirls. (1960). Claude Chabrol adopts a free-form / slice-of-life narrative style here, and sometimes it comes across as beautiful spontaneity (the sequence at the zoo); more often, however, it comes across as pure shapelessness (the pool scene goes on for an excruciatingly long time). Télérama. A preview of situtations and things to come in later Chabrol thrillers. Haute Définition. It's sure gives me some feeling of the nightlife in Paris then. Veronika Voss is a once prominent UFA actress, kept by her doctor, who raises suspicion in a sports journalist. "We're going over here.". The battle of the sexes as drawing room social satire. The man on the bike is an enimatic figure whose intentions are not revealed until the final moment. there's this creepy yet mysterious sounding music that runs through the film when the female characters roam through the streets. Les Bonnes Femmes We first encounter the women in the story late one night as they step out from a night club. what a great film! Seeing it makes me interested in watching more films by Claude Chabrol. Jacqueline is lonely; but who is that mysterious bike-rider who is constantly following her ? Les Bonnes Femmes presents a cynical treatment of the central female characters, looking at them from a position of superiority, constructing them less as conscious people than as an instance of a social condition or type. Man! Title: Metacritic Reviews. Though unsuccessful upon its initial release in France, it was subject to critical reevaluation, and is now regarded as the best of Chabrol's early films. The definitive site for Reviews, Trailers, Showtimes, and Tickets And of course, the French movies of any year, always casting beautiful actresses. The storyline holds the viewer's interest, the acting is excellent (especially Lafont, and despite some terrible overacting from the girl's boss), and the director hints at some of the gruesome shocks of his later films. | On the opposite side, Jaqueline is an utter mystery, implying a nature both extremely intelligent and extremely troubled. moins de 16 ans. As disappointing as Chabrol's films have been to me over the years, this one was a jackhammer of a surprise. It whispers it. Rita accepte un mariage médiocre. Les deux bonnes sont Claire (la petite sœur, qui semble plus révoltée, excitée à l'idée de dominer son aînée dans le rôle de meurtrière) et Solange (l'aîn… yet, these women flirt with them and passively resist them for most of the film. Keep track of everything you watch; tell your friends. Classic French cinema of the New Wave besides Shoot the Piano Player(1961) and Breathless(1959). The film is also known as The Good Time Girls. DON'T READ UNLESS YOU ARE 100% SURE YOU DON'T MIND LEARNING ABOUT A MAJOR PLOT TWIST. There are a considerable number of scenes set on the streets, and the viewer gets an expansive look at how Paris looked at the time, in night and day. Chabrol's first masterpiece; maybe even his masterpiece. Fiche technique. If anyone can give me some more information about her, I would appreciate it. Want to share IMDb's rating on your own site? Clotilde Joano is "Jacqueline", who faces a tragic ending in this movie. EN. Every one of them is no good. Open menu. March 3rd 2020. The tone of the film changes drastically at several points, and in any other film this would become a big turn off. Jane is mesmerizing, charming and complex, at different times a little girl, a rebellious teenager, or a flirtatious temptress. the women have this elusive quality about them, they're beautiful and somewhat misguided about the men in thier lives. Just to prove that portraying males as all-negative is nothing new, see Les Bonnes Femmes: the employer with wandering hands, the drippy suitor, his bossy Dad, the snobbish fiancé, the lurking psycho, the bad-jokes bully-boy and his fatty hanger-on, the absent lad on national service. Two men jump into a white Cadillac and keep following them as one of them, Marcel, wants the two women to go to another night spot. (1800.) Les Bonnes Femmes. Quand les Miss déploient leurs ailes, elles deviennent les Bonnes Fées - Présentation de notre association, découvrez nos actions et comment nous soutenir. A pair of cousins share a flat, but animosity begins to build between the two when a woman gets involved. Written by After long absence, a man returns to his hometown only to find his best friend has become an alcoholic. Films like these can only be directed by masters who have the nerve and audacity to bend genres to their whim and speak their ultimate truth through the nature of the medium itself. Rita has a fiancé whose family is obsessed with social distinction; Jane has a boy-friend in the army, but does not hesitate to enjoy herself with chance encounters; Ginette has a mysterious passion that keeps her away from her colleagues at nights. In a palace of Paris. Les Bonnes est une pièce de théâtre de Jean Genet, dont la première représentation eut lieu en 1947. One ghost, Dupont, is the father of the bride-to-be. Was this review helpful to you? Ginette, Rita, Jacqueline and Jane try to find fulfillment and love in their lives. Les Bonnes Femmes is a French comedic drama directed by Claude Chabrol. Two ghosts attend an engagement party, unseen by the other guests. The monotony of the girls' lives is shown as they spend Saturday in the shop just waiting for the moment when they can go home. Featured. Its mix of melodrama, absurd comedy and tragedy is typical for the early, experimental New Wave films. LES BONNES FEMMES. Claude Chabrol made a film before Les bonnes femmes, Les Cousins, which is what made him known as part of the French New Wave (he preceded Truffaut and Godard by a year). and for some reason, all the men in this movie are misogynist jerks! Les Bonnes Femmes est un film franco-italien réalisé par Claude Chabrol, sorti en 1960. The other reviewers cover this film perfectly--particularly the one by DuMonteil. It's a chilling worldview, with a cynical twist at the end, (plus a tacked-on coda that seems to be from another movie). But viewing Les bonnes femmes before seeing Les Cousins, I almost feel like this is a director's first film, for a director like Chabrol, as it shows a lot of his concerns as a filmmaker: an observational stance with women, their sexuality and their distance from the opposite sex, the mundane in a bourgeois life, and the Hitchcock angle of danger and the unknown. it has a feel of a documentary and is observational in nature, yet there is a obvious message or view taken by chabrol and the women in this film. A stylistically adventurous film of four hope-filled Paris shopgirls and their misuse and abuse at the hands of charmless and dangerous men 27 Mar 2019 104 mins Admission by Melbourne Cinémathèque membership: $27 - $295 It's also in line with the other Nouvelle Vague films in the sense that the filmmaker has broken out of any ties to a studio or sets, and everything is out in the streets or on location in places like nightclubs and music halls and swimming pools, and usually with hand-held cameras and (seeming) improvisation with the actors. The tone of the film changes drastically at several points, and in any other film this would become a big turn off. Les Bonnes Femmes. The tone is observational, like many films of the "New Wave," but it lacks the frenetic energy of Godard, or the jaded lyricism of Truffaut. Its mix of melodrama, absurd comedy and tragedy is typical for the early, experimental New Wave films. Les bonnes femmes (1960), directed by Claude Chabrol, was shown in the U.S. with the title The Good Time Girls. | 98. a girl I Vitelloni with even more observation and a curious (if obvious) Hitchcock angle. FAQ chabrol lovingly shoots these women and has affection for them, but also sadness at their romantic naivety about the men in their lives that will bring them doom. We also see a somewhat mysterious man who gets on his motorcycle and tails the car and the women. Though unsuccessful upon its initial release in France, it was subject to critical reevaluation, and is now regarded as the best of Chabrol’s early films. ** out of 4. Suggest as a translation of "les bonnes femmes" Copy; DeepL Translator Linguee. A friend of mine - a film scholar - once said that this film shouldn't work but it does. Vendeuses, Jane, Ginette, Jacqueline et Rita passent leurs journées à s'ennuyer et leurs soirées à traquer un bonheur incertain. Les bonnes femmes introduced young actresses Bernadette Lafont, Clotilde Joano, Stéphane Audran and Lucile Saint-Simon. Her subsequent career was undistinguished, and she died at age 42. Les Bonnes Femmes Sortie le 22 avril 1960. On a level with "Breathless," "Shoot the Piano Player," yet completely unlike either of them, this film defines the "New Wave" aesthetic, which to this day, some forty years later provides a standard for Tarantino types to strive for. 15. This is mostly a watchable slice of Paris life from the late 50s, although the Algerians who caused so much mayhem only a few years later are nowhere to be seen. Sachant que les hommes n’aiment pas s’éterniser (même avec leur belle princesse), ne prolongez pas le … Henriette s’était déjà promenée quelque temps avec Armidore, dans le jardin où le club d’été avait coutume de se rassembler. Four very different shopgirls pursue love—and are pursued—in their own ways. But maybe this is a realistic portrait of young parisiennes in 1960. Claude Chabrol. This FAQ is empty. Chabrol is playing around with genres here, exaggerating for effect. Jane and Jacqueline are going home on foot. LES BONNES FEMMES. The Hitchcock elements are there but they don't dominate and straitjacket everything else. He straddles the fence between comedy and tragedy for the entire film, veering this way and that whenever it serves his purpose: to paint an allegory of absurd modern existence through the soul of modern young females. "Les Bonnes Femmes" is the 'lost' new wave film that's easily on the same level with "Breathless," "Shoot the Piano Player," and "Cleo from 5 to 7" yet completely unlike any of them. they're doomed objects of desire for men. France, Italy, 1960. Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams but often find real-life to be inescapable. Les Bonnes femmes est un film réalisé par Claude Chabrol avec Bernadette Lafont, Stéphane Audran. Discover something for everyone this month with some choice picks for the best movies and TV to stream in April. no. "This is where we're going," the film says, over and over again. Along the way, there's some really hammy acting from the girls' employer that clashes badly with the realistic mood, and some longueurs as the girls get bored at work and we get bored right along with them. Drama, Mystery, Romance. Trailer. Ginette se produit dans un music-hall miteux. Directed by Claude Chabrol. Les Bonnes Femmes (Claude Chabrol 1960) is one of several New Wave films that both filmed on the Champs Elysées and played in cinemas on the Champs Elysées, so that audiences inside could see on the screen what they had just seen outside on the street. 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