Although a touch underrated, Jazz at Oberlin is one of the early Dave Brubeck classic recordings. One of his finest albums from that time.Can't speak to audio quality since that's a whole new ballgame, but we love it wherever and whenever we play it. This is early Brubeck, or should I say, from my perspective, early Desmond. Yes, it`s also a live concert recording, but the audience reaction adds to the excitement and the enjoyment. This album should be included in every music-lover's collection because it will appeal immensely to jazz, classical, and pop listeners. From back when the campus was an advant guard scene, Reviewed in the United States on November 7, 2013. The signature piece for me, as you may have guessed, is "These Foolish Things." Obviously very good, though. An historic session in a music with no shortage of game-changing performances. Audio CD. Awesome talent, very listen-able and quirky, and I never get tired of them. Reviewed in the United Kingdom on September 3, 2011. Reviewed in the United States on November 27, 2014. I miss quartets like this. "The idea of presenting a jazz concert on a college campus was something that really hadn't been done," says Phillips. All Rights Reserved. But from the late 1960s on, as jazz opened up to influences from other genres and cultures, sectarianism receded, and Brubeck began to be credited as a visionary. Look for explanations soon to appear on the site of Desmond's biographer, Doug Ramsey, as well as the jazz site of Thomas Cunliffe. Reviewed in the United States on February 26, 2014. Jazz at Oberlin, recorded live at Oberlin College in Ohio in March 1953 and released later that year, is considered a breakthrough album - not just for Brubeck himself, but for the entire concept of live jazz recordings. I'm a big fan of drummer, Joe Dodge, even though he's not on this...It was the beat, the subtle swing and pulses that kept this early Brubeck quartet welded together. Anyone who remembers the Dave Brubeck Quartet from the 50's will enjoy this remastering of the original vinyl recording. I am also surprised at the sonic quality of this recording given its age and the fact that it was captured live. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Recording not bad for a live set. This shopping feature will continue to load items when the Enter key is pressed. In the 1950s, some hardcore jazz fans disliked Brubeck's music, seeing it as Europeanised and overly formal, something that flattered middle-class audiences but sold out its more fundamental virtues of soul, swing and blues. Your recently viewed items and featured recommendations, Select the department you want to search in. Oberlin, with its famous conservatory, was an appropriate setting, and the foursome came up with a program of five great jazz standards in long and often surprisingly free performances that found Dave and Paul Desmond at the top of their game. Please try again. The only complete version of Desmond's solo on "The Way You Look Tonight" is on the original 10" 33rpm release. ], Reviewed in the United States on February 17, 2014. All Music Guide review CopyrightAlthough a touch underrated, Jazz at Oberlin is one of the early Dave Brubeck classic recordings. I;m an old Brubeck fan, but this production left me waiting for the music to start. Oberlin did, however, open a window on the core creative relationship that would soon ignite all those elements (Take Five was a collaboration, developed by Brubeck from a Paul Desmond theme), and revealed a wealth of harmonic and rhythmic references in the leader's own playing that would change the language of jazz. Members of the Oberlin Sonny Rollins Jazz Ensemble are selected on the basis of four criteria: an audition for Oberlin’s jazz faculty, evidence of academic achievement, thoughtful response to a question about the place of jazz in the world, and service to humanity. Far from taking away from the music, the occasional applause makes you feel like you are there with those college kids being blown away. 4.6 out of 5 stars 705. Moanin' Art Blakey. Brubeck live from the breakout era. Jazz at Oberlin, recorded live at Oberlin College in Ohio in March 1953 and released later that year, is considered a breakthrough album - not just for Brubeck himself, but for the entire concept of live jazz recordings. Paul is young and aggressive, and fitful on some of these solos, moreso that is later, more gentle style. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. In this Retro Review, Thomas Cunniffe tells of the first he heard this jazz masterpiece. Reviewed in the United States on October 6, 2012. Think of Rachmaninoff's "Theme on a Rhapsody by Paganini," only in a much more modern context, as, for example, "The Brubeck Quartet's Variation on a Theme by Strachey" (who wrote the music for "These Foolish Things." The significance of Jazz at Oberlin didn't stop with the music either. This was a great album which brings back many happy memories of watching this group in Manchester in the late 50's. Only 9 left in stock (more on the way). In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Pretty neat. Generally, jazz found little enthusiastic support on the Oberlin campus. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Time Out Dave Brubeck. 4.8 out of 5 stars 1,985. No Charlie Parker here, but that's cool, because the world needs Desmonds as much as Parkers. How High the Moon. The enthusiasm of the college audience, audible throughout the album, marked Brubeck's eager adoption by America's (predominantly white) youth a welcome that soon extended around the world, and brought the pianist chart hits for a rhythmically intricate instrumental jazz in a period in which the newly emerged rock'n'roll was carrying all before it.What came to be known as Brubeck's "classic quartet" (comprising of Desmond, bassist Eugene Wright and the astonishing polyrhythmic drummer Joe Morello) was still three years away when the Oberlin concert was recorded, though drummer Ron Crotty and bassist Lloyd Davis played the show with brisk empathy.
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