Golden Brown texture like sun Lays me down with my mind she runs Throughout the night No need to fight Never a frown with Golden Brown. Nominated for the Academy Award for Best Song, Aimee Mann’s haunting counterpart to Paul Thomas Anderson’s Magnolia has evolved into a musical force to be reckoned with, going on to appear in several other movies and TV shows. You’d be hard-pressed to find another song that could so perfectly capture the dizzying, horrifying, hypnotic, and all-encompassing feeling of Trainspotting, a movie built on themes of addiction, classism, life, death, and youth. So for some of us (but especially me), it embodies the drama, the sensationalism, and the heartbreak of the movie — while for others, it represents the worst part of a year in which it was impossible to escape the King of the World and any/all references to flying. Stay away from drugs! *Sorry, there was a problem signing you up. And while Fatboy Slim’s “Rockafeller Skank” clearly takes top honor for the film’s choreographed prom scene, “Kiss Me” epitomized the brand of romance defined by the question: “Was I a bet, was I a fucking bet?” Plus, it played during the most iconic scene. No song can touch “Come What May” (the duet between Ewan McGregor and Nicole Kidman that I sang quietly to myself during Nicole’s scenes in Big Little Lies), but “Lady Marmalade” — the collaboration between Missy Elliott, Lil Kim, Christina Aguilera, Pink, and Maya — comes close. Which makes sense, especially since Gosling and co-star Carey Mulligan’s performances were so defined by being quiet. Sure, that plague doctor seems to be lurking around every corner, but he’s far from alone. “My Heart Will Go On” garners no lukewarm responses, because it is a song of extremes. Like the best of Springsteen’s material, “Streets of Philadelphia” was observational but lent currency to those he was observing — his subjects weren’t helpless victims, but active participants in their own lives. And while many of us would’ve loved Winona and Ethan not to end up together, their beginning ultimately sparks the demise of the friend group. So there you have it: If you believe you can fly, you too can win out against a team of strange aliens with the help of Bill Murray. As the title song from Philadelphia, Bruce Springsteen’s single paralleled the feelings that defined Tom Hanks’s character, Andy: feelings of sadness, of grief, and of quiet acceptance. As well as the Pyramids in Egypt, the video uses stock footage of the Mir-i-Arab Madrasah in Bukhara, the Shah Mosque in Isfahan, and Great Sphinx, Feluccas sailing, Bedouins riding and camel racing in the United Arab Emirates. A true feat, considering Ben Affleck has since done an excellent job of reminding us of how stupid the movie was, too. But okay, fine: A cover of Dolly Parton’s 1974 original, the song is a take on a breakup. In truth, Whitney Houston did more for movie soundtracks in the 1990s than any composer could even dream of. So while much of Philadelphia’s dialogue now feels a bit dated, Springsteen’s song reflects the feeling of the era, as opposed to its conversations or misconceptions, which makes it timeless. LDR asks, “Will you still love me when I’m no longer young and beautiful?” To which the film itself answers, “As long as you look like Carey Mulligan and Leonardo DiCaprio, yes.”. Nate from Atherton, Ca Appeared in the movie "Snatch." But look: Imogen Heap’s “Hide and Seek” may have gone on to soundtrack one of the biggest moments in television history (see: when Marissa shot Trey on The O.C. The thing is, the songs came before the film. And so we get “Young & Beautiful,” The Great Gatsby theme that sums up the way its leads find solace in their prewar personas — despite their own trajectories and realities having taken them far from their long-ago romance. This time, true power exists in the fact that after 42 forced listens, you will be conditioned to turn up this song and half-heartedly sing along despite never having seen Trolls and having no intention to ever do so. ), it’s a testament to the staying power of Eminem’s Oscar-winning song. Visit Tunefind for music from your favorite TV shows and movies. We turn it up to soundtrack our arguments that Jack could’ve fit on that godforsaken wardrobe door, or we switch it off and recoil, haunted by our pasts. 1 in 16 countries (U.S. included), was named Billboard’s No. Four years before she came to define movie soundtracks via Titanic, she teamed up with Clive Griffin to deliver “When I Fall in Love,” the anthem to Sleepless in Seattle.
Mourning Becomes Electra Sparknotes, Yogi Bear Camping, Super ZZT, The Buccaneer (1958), Hilaria Baldwin,