I do not at all associate the term "mid scooped"... "authentic Neumann-esque", as an accurate description. I use it primarily on vocals, where it sometimes even beats out a u87 on certain sources that call for a bright tone. Or better, shoot it out with the 2 mentionned above coupled with a tube pre, you're probably in for a surprise. But what you do get is a perfectly designed grill, beautiful body and one of the best capsules manufactured on planet Earth. As I stated above in the Neumann stats, even with a well placed pop stopper/pop filter, I still have to roll off below 150 Hz at least 10db in most cases, and especially in hip hop to correct exaggerated b's and p's (plosives). It sounds awesome (not dissimilar to the U87, but with less mid-range presence) through my Portico 5015 pre, but considerably less so through my Sebatron VMP-4000e, which I usually prefer over the Portico with most of my mics. My vocals were suddenly lush and juicy, my acoustic guitar was popping out of the mix, my drum overheads were full and prominent. Contact our experts for a recommendation of great alternatives. Overall, a fantastic vocal mic that can also shine for many other instruments. To put it simply: the Neumann TLM 103 is one of the best microphones available. I have a $500 Audix LDC mic that beats this thing hands down! I don't think there's a single piece of gear that's generated more debate than this microphone -- it's either loved or despised. This cardioid mic is a wonderful addition to any radio station or voice over studio's setup! May not suit everyone or every occasion, but I found that addressing the mic from a bit of an angle tweaked things in a really nice way. Very versatile as well. I would definitely buy one in the future for that clean sound. instrument, Recognizing that not everyone can afford the price of a U87… Neumann eventually expanded their audience base with their… *Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration." It has an even tone, with good low-mid definition. Not just for the money, but in general. Ok, this is pretty much a great all around mic if you don't have say, a U87 or something comparable (like an extra $2000 to spend on mics). Apologies...most people would interpret Neumann-esque as "THE" Neumann sound, or sound they are most known for. The TLM 103 has a great signal-to-noise (87 dB A weighted) ratio too with no self noise at all. Preamps were Avalon 737, TL Audio Dual Valve Eq and R.Neve Portico II channel strip. (Engineer or mic?) Bottom line, you can get a cheaper mic to do the job, but it wont say Neumann on it. It's pretty pricy for what it is and I think that most of that price is just the little red Neumann insignia on the front, but watcha gonna do? The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. I didn't do much to the final sax track as far as eq and it sat well in the mix. Excellent quality for the price. I recently recorded a six part vocal harmony, all delivered by the same artist and although I am lucky to be recording a stellar vocalist the mic needed no eq what so ever. If you're buying new- IMHO there are way more mics out there that are a better value. It is quite good for close micing acoustic guitars. Second, I'll give you my opinion based on 5+ years hands on experience with this mic. Our product catalog varies by country due to manufacturer It also looks the part. * This mic does become a much better value if you can find it used (I got mine for around $850 CND). I'm a particularly sibilant singer, but simply placing myself a bit off axis from the microphone fixes all sibilance problems with the TLM103. Announced in 2013, the TLM 107 is a universal, multi-polar pattern, large diaphragm, condenser microphone. drum, It sounds warm and big and never thin. In some sense many Neumann modern mics get slammed because sennheiser is not making boutique mics but mass produced ones. In such situations it has been considered superior in quality to the greatly more expensive U87. Small size The compact electronics is partly because this, U87's little brother, mic is part of the TLM (Transformer Less Microphone) series from Neumann. Neumann TLM 103 Large-Diaphragm Condenser Microphone Black l Authorized Dealer. It takes EQ well and is generally very forgiving. Try a TLM-103 paired with a KM-184 on accoustic guitar for a sweet sound. It is these subtleties that separate recording a person singing & an individual's voice, in my opinion. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. " >a bit hyped on the high end. However I'm looking forward to test it in different constellations. Daking Mic-Pre + TLM 103 on male vox always worked a treat for me. I don't operate a studio, but I do my own recordings at home and enjoy a nice little career in music (for the time being). It's a nice blend between small and large diaphragm mics with a nice powerful attack, but still fluid musicality. However, not the pleasant, shimmery Neumann clarity I wanted; they sounded similar to KSM LDC's to my ears. The large-diaphragm Neumann TLM-103 Microphone provides platinum-quality sound on a bronze budget, using transformerless circuitry for ultralow self-noise and … But could make records with them. This product qualifies for international shipping to over 100 countries worldwide. This microphone provides an extremely true, uncoloured reproduction. But like the first reviewer noted, changing mic position/axis is generally a pretty easy fix. restrictions. I'm also not super-impressed with the 103 thru the seb 4000. But I also made some superior recordings with some more Experienced Vocalists. Get the guaranteed best price on Podcasting Equipment like the Neumann TLM 103 Condenser Microphone at Musician's Friend. It's bright nature can mean sibilance problems for certain voices. I didn't say "classic" at all. As for bass guitar, I can't really say much- I've never used it for that as I almost always pull direct from a DI box or from the head/amp. I use it primarily on male hip hop vocals; it has a tendency to make them larger and more pronounced in the mix.
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