After he lost flexibility in his hands from gout in 1655, however, he set his 17-year-old successor to support the family from her earnings. The smiling pose placing face by face depicts a sweet and intimate relationship. ThoughtCo uses cookies to provide you with a great user experience. Under skilled instructors, Elisabetta developed a distinctive style. In 1994, the United States Postal Service honored the painting, making it the first historical work by a female artist printed on a Christmas stamp. The Penguin Biographical Dictionary of Women. At 27, Elisabetta Sirani came down with an unexplained illness. Elisabetta Sirani [Italian Baroque Era Painter, 1638-1665] Guide to pictures of works by Elisabetta Sirani in art museum sites and image archives worldwide. She apparently kept none of her earnings for herself. Though she painted some portraits, many of her works dealt with religious and historical scenes. She also traveled to Florence and Rome to study the paintings there. Her body was displayed on a catafalque symbolizing the Temple of Fame. Edith Krull, Cassell UK, 1990. Locals doubted Elisabetta Sirani's skills and assumed that she had help in completing oil paintings at such a fast pace. The Penguin Biographical Dictionary of Women, Market House Books, 1998. By continuing, you agree to our The Oxford Guide to Classical Mythology in the Arts, 1300-1990s. Elisabetta Sirani at The Art Renewal Center, Elisabetta Sirani in the Web Gallery of Art, Women Artists from the Medieval Period to the Present, RKD Netherlands Institute for Art History, Wikipedia, the "Open Content" Encyclopedia, Search Amazon for books related to Elisabetta Sirani. In the painting, Sirani presents Judith in jeweled turban triumphantly extracting the gory head by the hair from a sack with a firm two-handed grip. Sirani flourished at historic and religious scenarios and, by age 17, completed over 190 drawings. The Oxford Guide to Classical Mythology in the Arts, 1300-1990s, Oxford University Press, 1993. He advised Giovanni Sirani to encourage her in the arts beyond the usual attainments of Renaissance girls. To prove them wrong, she arranged an exhibition of work in progress at the Sirani studio and invited European According to one anecdote, when the Grand Duke Cosimo III de' Medici visited her workplace in 1664 to watch her paint his uncle, Prince Leopold de' Medici of Tuscany, Cosimo commissioned a Madonna for himself. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Her painting of Jesus and St. John the Baptist was of them as a nursing infant and toddler respectively, with their mothers Mary and Elisabeth in conversation. 1660), a jubilant cherub lifting bow and purple banner to the skies, and "St. Jerome in the Wilderness" (1650; a narrative depiction of the translator of the Vulgate Bible). Elisabetta, Barbara, and Anna Maria Sirani were the three artistic daughters of painter and art teacher Giovanni (or Gian) Andrea Sirani, a follower of renowned Bolognese religious etcher-painter Guido Reni. Jone Johnson Lewis is a women's history writer who has been involved with the women's movement since the late 1960s. Of these hundreds of drawings, about a quarter relate to known paints or prints done by Sirani. Sirani was fortunate in acquiring a mentor, the collector, biographer, and art historian Count Carlo Cesare Malvasia. The scene implies that women recognize the most important work, while men absorb themselves with temporal affairs.
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