Boyle’s grand unveiling on Britain’s Got Talent was with a song from Les Miserables -- the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there’s no reason for her to change her approach on her debut, since that’s the sound that made her a star. 2009 studio album by Susan Boyle I Dreamed a Dream Studio album by Susan Boyle Released23 November 2009 Recorded1999, July–September 2009 GenreOperatic pop, crossover, easy listening Length43:00 LabelSyco, Columbia ProducerSteve Mac Susan Boyle chronology I Dreamed a Dream The Gift Singles from I Dreamed a Dream "Wild Horses" Released: 15 November 2009 "I Dreamed a Dream" Released: 15 April 2010 "You'll See" Released: 20 June 2010 "Amazing Grace" Released: 15 August 2010 … Listen free to Susan Boyle – I Dreamed A Dream (Wild Horses, I Dreamed A Dream and … Label: Syco Music - 88697 59829 2,Columbia - 88697 59829 2 • Format: CD Album • Country: US • Genre: Pop • Style: Vocal, Ballad Susan Boyle - I Dreamed A Dream (2009, CD) | Discogs Explore Boyle never digs into the intent of the lyrics, but she sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Find album reviews, stream songs, credits and award information for I Dreamed a Dream - Susan Boyle on AllMusic - 2009 - There’s no question that Susan Boyle’s story… This is almost a willful antonym of “inspiring” -- it is not stirring, rousing, or stimulating, it is sleepy, reserved, and placid, but is that a surprise? There’s no question that Susan Boyle’s story is inspiring, but the same adjective can’t quite apply to her debut, I Dreamed a Dream. That time was the late ‘60s and early ‘70s, and apart from a rather faithful version of Madonna’s “You’ll See,” I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis’ “The End of the World,” the Rolling Stones’ “Wild Horses,” and a version of “Daydream Believer” that is easily the most lugubrious on record. Plus, a large part of Boyle’s appeal is that she’s a middleaged woman singing middlebrow material, recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. And, frankly, that’s all she needs to do: those won over by Boyle, either her voice or story, will surely be satisfied, and those expecting more were never likely to listen to I Dreamed a Dream in the first place.
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