X. alexis_ms99. Although for a time after the Revolution Fragonard disappeared from the history of art, his wittily airy style cropped up again years later with a new legion of imitators and by the end of the 19th century there was a rediscovery of Fragonard and other Rococo artists. Considered to be Fragonard's most successful painting, The Swing stands alone today as an emblem of Rococo art. The Swing (After Fragonard) is a three-dimensional recreation of the Rococo painting after which it was titled, which itself offers testimony to the opulence and frivolity of pre-Revolutionary France. . South, East, and Southeast Asia. (After Fragonard) is no different. This young girl, positioned at the composition's centre, appears on a swing, wearing a pink dress. The combination of insouciant attitude, tongue-in-cheek eroticism, pastel swirls, and pastoral scenery creates an irresistible testament to the beauty of youth and illegitimate affairs. The Pacific. 3) – nos. We believe art has the power to transform lives and to build understanding across cultures. in true Shinibare fashion, the artist references a well-known painting through sculpture with a twist. Rococo paintings demonstrate political and ideological values. X. AP® Art History (vol. IX. WARP - Exam 1 98 Terms. Global Contemporary AP® Art History (vol. Scene = dense garden with flowers and cupid statues ; Context: 1766: People of France were living better than population . The Swing. South, East, and Southeast Asia. Jean-Honoré Fragonard, The Swing, oil on canvas, 1767 (Wallace Collection, London) As with most Rococo paintings, the subject of Fragonard’s The Swing is not very complicated!Two lovers have conspired to get this older fellow to push the youg lady in the swing while her lover hides in the bushes. AP Art History Ism Book Project Example - Postmodernism The Swing (After Fragonard), Yinka Shonibare Detail 1) Artist: Yinka Shonibare (British born Nigerian) 2) Identifiers: The Swing (After Fragonard) Yinka Shonibare 2001 C.E. Content: Depiction of a fine lady swinging above her lover and a bishop . We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free. We believe that the brilliant histories of art belong to everyone, no matter their background. Help Smarthistory continue to make a difference, Help make art history relevant and engaging, Describing what you see: Sculpture, Henry Moore's, Ways of looking: Expression and modern art, Art Terms in Action—Tint, Shade, and Tone, A brief history of the representation of the body in Western painting, The conservator's eye—Taddeo Gaddi, Saint Julian, A brief history of the representation of the body in Western sculpture, The conservator's eye—Marble statue of a wounded warrior, Bronze Casting Using the "Lost Wax" Technique, Adriaen de Vries's bronze casting technique: direct lost-wax method, Solomon R. Guggenheim Museum, New York City, MAXXI National Museum of XXI Century Arts, Sacred space and symbolic form at Lakshmana Temple, Khajuraho (India), Toward the High Renaissance, an introduction, Introduction to gender in renaissance Italy, Francis Bacon and the Scientific Revolution, Haussmann the Demolisher and the creation of modern Paris, Looking east—how Japan inspired Monet, Van Gogh and other Western artists, A beginner's guide to the Pre-Raphaelites, British + American contemporary art + architecture, https://smarthistory.org/yinka-shonibare-the-swing-after-fragonard-2/. Identity is a product of intertwined economic, ... AP Art History Contemporary Global 43 Terms. Which seems a likely interpretation of Shinobare's The Swing (After Fragonard) ? VIII. Global Contemporary and3wn. VIII. 3) – nos. An interconnected world is not as recent as we think. It's a full year's worth of material. The Swing (After Fragonard) is a three-dimensional recreation of the Rococo painting after which it was titled, which itself offers testimony to the opulence and frivolity of pre-Revolutionary France. Summary The Swing (after Fragonard) is an installation in which a life-size headless female mannequin, extravagantly attired in a dress in eighteenth-century style made of bright African print fabric, reclines on a swing suspended from a verdant branch attached to the gallery ceiling. Cite this page as: Dr. Allison Young, "A-Level: Yinka Shonibare, Featured | Art that brings U.S. history to life, At-Risk Cultural Heritage Education Series. The work comes from Jean-Honoré Fragonard’s painting “The Swing” (1767), a prime example of the Rococo style from the canon of Western Art History. Art Since 1945 Midterm 104 Terms. Yet in 2) – nos. rglassman. This AP Art History course is a window into history by exploring the art and architecture produced by different cultures. 48-98; AP® Art History (vol. IX. The curriculum follows the guidelines for the AP Art History exam, written by The College Board. The Pacific. 48-98; AP® Art History (vol. Beneath her, a flowering vine cascades to the floor. Jean-Honoré Fragonard, The Swing, oil on canvas, 1767 (Wallace Collection, London) As with most Rococo paintings, the subject of Fragonard’s The Swing is not very complicated!Two lovers have conspired to get this older fellow to push the youg lady in the swing while her lover hides in the bushes. The Swing (after Fragonard), Yinka Shonibare recreates imagery taken from the French Rococo artist Jean-Honoré Fragonard’s The Swing, painted in 1767 C. E. Fragonard’s frothy depiction of a fashionable young woman on a swing in a garden evokes prerevolutionary France with its atmosphere of luxury, leisure, and excess. 2) – nos. Wealthy and lavish living ; Women were major patrons of the arts She is pushed by a smiling man, who does not realise another man is amongst the shrubs, looking up her skirt. Yinka Shonibare CBE is an artist that looks at the intersections of identity, and his sculpture; The Swing.
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