They are poised high above the landscape in the background, as if they are on top of some tower. Piero della Francesca, Portraits of the Duke and Duchess of Urbino, Federico da Montefeltro and Battista Sforza, 1467–72, tempera on panel, 47 × 33 cm (Galleria degli Uffizi, Florence), https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/central-italy1/v/piero-della-francesca-portraits-of-the-duke-and-duchess-of-urbino-1467-72, CC BY-NC-SA: Attribution-NonCommercial-ShareAlike. In 1453 the Neapolitan army was struck by malaria, and Federico himself risked losing his healthy eye. The Peace of Lodi of the following year seemed to deprive him of occasions to exhibit his ability as a military commander. This great artist also achieves the perfect representation of a Renaissance individual, with successfully capturing his rational, almost metaphysical style, who is aware oh his role in the universe, his potential, and the importance of his intelligence and culture. In 1482 he was called to command the army of Ercole I of Ferrara in his war against Venice, but was struck by fever and died in Ferrara in September. The Duke and Duchess of Urbino (1465-1467) Piero della Francesca – Portrait; paint, tempera, wood, The Duke and Duchess of Urbino (1465-1467) Piero della Francesca, diptych – back side. Exactly in the center of room 8, stands Piero Della Francesca Duke and Duchess of Urbino, a double portrait depicting Federigo da Montefeltro and Battista Sforza. Change ). Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Attention to minuscule details derived from Flemish painting is combined with a delicate treatment of the volumes of the faces through the skillful modulation of light. Private Tour of the Uffizi Gallery, Florence - Skip the Line! After defeating the Papal forces in a great battle on 30 August 1469, he ceded it to Sigismondo's son, Roberto Malatesta. Piero painted, among other paintings, The Flagellation of Christ for the Duke and dedicated a treatise on perspective to him. Federico commissioned for himself a studiolo (a small study or cabinet for contemplation) in both his palace at Urbino and that at Gubbio; both are celebrated for their trompe l'oeil decoration executed in marquetry. Federico's son, Guidobaldo, was married to Elisabetta Gonzaga, the brilliant and educated daughter of Federico I Gonzaga, lord of Mantua. Commentators insist on his dedication to the well-being of his soldiers explaining why his men proved loyal to him and why Federico technically never lost a war. The duke was a leader of mercenaries, a skilful strategist and a great patron who turned the city of Urbino into a refined and renowned cultural centre. This is a perfect representation of the Renaissance theme of individualism, since all of these character traits were to be admired and strived upon in this time of new ideas. The half-face portraits were made in 1467-70 and are a great Federico da Montefeltro, also known as Federico III da Montefeltro KG, was one of the most successful condottieri of the Italian Renaissance, and lord of Urbino from 1444 until his death. One of the Piero della Francesca's most famous works, the double portrait is representative of the relationship between the painter and the Duke and Duchess of Montefeltro; Piero was a frequent guest at their court, finding himself in a cultured and refined atmosphere which would soon become one of the most important cultural and artistic hearts of Italy. We believe that the brilliant histories of art belong to everyone, no matter their background. The Duke of Urbino was one of Piero's most important patrons. The work consists of two panels, painted on both sides, which we must imagine at one time were hinged to form a sort of book. Create a free website or blog at WordPress.com. The strategical staging of these figures reflects the couple’s power. Do you speak Renaissance? ( Log Out / Despite Federico's efforts, the Sforza sovereignty in the Marche was dismantled in the following years. We'll assume you're ok with this, but you can opt-out if you wish. Florence in a Nutshell; Uffizi, Galleria Accademia, Duomo & More! Uffizi Gallery Tour, Florence - Skip the Line! The panels depicting the Duke and Duchess of Urbino are both painted on the reverse in a style that can be regarded as miniature. Cite this page as: Dr. Steven Zucker and Dr. Beth Harris, "Piero della Francesca, Featured | Art that brings U.S. history to life, At-Risk Cultural Heritage Education Series. Painted between 1465 and 1472, Portraits of the Duke and Duchess of Urbino is both one of Piero della Francesca's greatest works and one of the most famous portraits from the Italian Renaissance. Piero's mastery of depth and Change ), You are commenting using your Facebook account. Piero della Francesca’s Portraits of the Duke and Duchess of Urbino. Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of Piero della Francesca’s Portraits of the Duke and Duchess of Urbino, Federico da Montefeltro and Battista Sforza. His first condotta was for Francesco I Sforza, with 300 knights: Federico was also one of the few condottieri of the time to have a reputation for inspiring loyalty among his followers. The matter was solved by the election of Pope Sixtus IV, who married his favorite nephew Giovanni Della Rovere to Federico's daughter Giovanna, and gave him the title of Duke of Urbino in 1474; Malatesta married his other daughter Elisabetta.
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