These trips provide a wide range of subject matter for her paintings and give her opportunities to acquire and assemble an eclectic collection of artefacts for her home. The Irma Stern Museum was established in 1971 and is the house the artist lived in for almost four decades. Photograph: Bonhams. Almost one hundred solo exhibitions were held during her lifetime both in South Africa and Europe: including Germany, France, Italy and England. Irma Stern (2 October 1894 – 23 August 1966) was a major South African artist who achieved national and international recognition in her lifetime. ... Senegal, 1939 Zanzibar, 1942 Congo, 1945 Zanzibar, 1946 Central Africa, 1952 Madeira, 1955 Congo, 1960 Spain and 1963 Franc as well as around South Africa, for example in 1926 to Swaziland and Pondoland, in 1933 to Namaqaland and the Eastern Cape. Bonhams Director of African Art, Giles Peppiatt, said: “Arab with Dagger is a remarkable work and shows Irma Stern at her best. Irma Stern. This painting is one of the highlights from a group of works painted by Irma Stern in Zanzibar in 1939 where she spent four months. Irma Stern travelled extensively in Europe and explored Southern Africa, Zanzibar and the Congo region. [1] Irma and her younger brother, Rudi, were thus taken to Cape Town by their mother. She was born in Schweizer-Reneke in 1894 and moved to Berlin, Germany later in her life to study art during World War 1. Her father was interned in a concentration camp by the British during the South African War because of his pro-Boer leanings. The main salerooms are in London, New York, Los Angeles and Hong Kong, with auctions also held in Knightsbridge, Edinburgh, Paris, San Francisco and Sydney. In the 1950s and 60s she gained international recognition, participating in numerous Venice Biennales and receiving the Guggenheim Award in 1961. Irma Stern was a remarkably prolific artist, holding more than a hundred solo exhibitions. Instead, she undertook several journeys into Africa; going to Zanzibar twice in 1939 and 1945 and then planned three trips to the Congo region in 1942, 1946 and 1955. After her death, the Irma Stern Museum, administered by … Irma Stern's first introductions to the Islamic faith by the Cape Malays grew into a fascination that soon appeared in various forms on her canvases. [1] Irma and her younger brother, Rudi, were thus taken to Cape Town by their mother. 0 Reviews. [7], Still life with African pot, Johans Borman Fine Art Gallery, Cape Town 1936, Two arabs, Dakar. Dino, who has painted many of Hong Kong's social movements including the pro-democracy Umbrella Movement in 2014, considers it important to record what is happening in the Chinese-ruled city. 1945 Return-visit to Zanzibar, possibly the climax of Irma Stern's career when all elements of her styled fused into a mature reposeful whole. Stern, Irma (1894–1966)South African painter who introduced Expressionism to South Africa. It has an estimate of £700,000-1,000,000. Irma Stern was born in 1894 in Schweizer-Reneke, Transvaal.She studied in Weimar and Berlin and had her inaugural exhibition in Berlin in 1919. From inside the book . A tip-off led South African police to a cemetery in Port Elizabeth where four of the five paintings were recovered from under a bench. On her return to South Africa, equipped with influences from German expressionism she had her first exhibition but that was dismissed as "immoral" and became subject to police investigation. A new South African record was set in March 2011, when a Stern painting sold for R34 million at Bonham's, London. Irma Stern (1894-1966) An early drawing of a pepper tree and insects in the Japanese style, Wolmaranstad (1913). She published two travelogues, Congo (1945) and Zanzibar (1948). [3] This record was soon broken, however, and in March 2007 Stern's work was sold for R6.6 million. A Texan widow who discovered a love for French art during a trip to Paris in the 1970s is to donate another part of her vast collection of 19th-century masterpieces to France. In 1926 Stern married Dr. Johannes Prinz, her former tutor, who subsequently became professor of German at the University of Cape Town. This travel would influence Irma's work. It was bought by the Qatar Museums Authority and is part of the collection of the Orientalist Museum in Doha, Qatar. Irma Stern. Then six years ago, he went scuba diving in Cuba and found his inspiration in the complete opposite: the tranquility found below water where all forms are natural and not manmade, all sounds are muffled and the light ripples softly. “Conquering new ground for my work and development.” Stern (1894 – 1966) was a major South African artist who achieved national and international recognition in her lifetime. Stern het 'n groot voorliefde vir reis gehad en het na 1934 Suid-Afrika, die Kongo, Zanzibar, Madeira en Suid-Europese lande soos Turkye, Spanje en Italië deurreis. She travelled extensively in Europe and explored Southern Africa, Zanzibar and the Congo region. J.L. The trips provided a wide range of subject matter for her paintings and gave her opportunities to acquire and assemble a collection of artifacts. The painting was first exhibited at Bothner's Gallery, Johannesburg, in April/May 1946, when it was described by P. L. B. in a Rand Daily Mail review (26th April 1946) as: Although accepted in Europe, her work was unappreciated at first in South Africa where critics derided her early exhibitions in the 1920s with reviews titled "Art of Miss Irma Stern - Ugliness as a cult". These expeditions resulted in a wealth of artistic creativity and energy as well as the publication of two illustrated journals; Congo published in 1943 and Zanzibar in 1948. Stern died in 1966, and her old home in Cape Town is now a museum.Prices for her work have been rising steadily. in the artist's original Zanzibar frame. This dissertation explores the major themes of Irma Stern's (1894-1966) representation of the black figurative subject in her African periods: Swaziland, Zanzibar and Congo (1922-1955). This theme and geographical reference is picked up in the artworks on display in this room. With a worldwide network of offices and regional representatives in 22 countries, it offers advice and valuation services in 60 specialist areas. She can be seen wearing an ivory and gold outfit with stylish jewellery. In 1920, the Berlin art dealer Wolfgang Gurlitt published Stern’s portfolio Dumela Morena: Bilder aus Africa von Irma Stern (the title translates from Tswana and German as ‘Hello Sir: Pictures Out of Africa by Irma Stern’). On 8 May 2000, one of her works sold at Sotheby's South Africa in Johannesburg for an all-time record of R1.7 million. Zanzibar. But what makes this painting very interesting is that this is part of South Africa’s history. The Muse ‘Rich Old Arab’ by Irma Stern, 1945. In 1920 Stern returned to Cape Town with her family where she was first derided and dismissed as an artist before becoming an established artist by the 1940s. Stern was born in Schweizer-Reneke, a small town in the Transvaal, of German-Jewish parents. Description: Irma Stern (South African, 1894-1966) Swahili Woman signed and dated 'Irma Stern/ 1945' (upper left) oil on canvas 65 x 56cm (25 9/16 x 22 1/16in). Germane to these periods are Stern's childhood experience in the Transvaal and her training and influences in Germany. She undertook several journeys into Africa; going to Zanzibar twice in 1939 and 1945 and then planned three trips to the Congo region in 1942, 1946 and 1955. In 1931 she visited Madeira and Dakar, Senegal, in 1937 and 1938. Irma Stern published 'Congo' - collection of drawings and paintings with accompanying text. Like many of her portraits from this period, it conveys not only an individual likeness, but also the fatalism and the deep spirituality that the artist found among the Arab people, and which she so much admired.”. It had been estimated at £700,000-1,000,000. Irma Stern’s ‘Zanzibar Woman’, 1939, is an oil on canvas within its original Zanzibar frame, which makes it of additional interest to keen collectors of this artist’s work. Arab with Dagger, is one of several key works Irma Stern, who died in 1966, executed of members of Zanzibar’s Arab community. In 1920 Stern returned to Cape Town with her family where she was first derided and dismissed as an artist before becoming an established artist by the 1940s. She was particularly fascinated by the older men in whose faces she saw, in her own words, “depths of suffering, profound wisdom and full understanding of all the pleasures of life — faces alive with life’s experiences.” ... Stern’s Zanzibar and Congo periods are widely recognised as Stern’s mature periods and some of the finest paintings of her career. ISANG 66/39, The golden shawl. Find more prominent pieces of portrait at Wikiart.org – best visual art database. 8. It’s an uneasy portrait, a suspicious rather than a sympathetic one, but that air of unease gives it the emotional truth that defines Stern as South Africa’s first true Expressionist.” “I am painting dramatic pictures, compositions and faces, not just types and races,” Stern wrote during her second visit, when the painting was made. Irma Stern held her first exhibition in Berlin in 1916. When the going gets tough, Ithra innovates and gets going, Desert X show on carpet of sands under canopy of stars, In their complete state, the distinctive doors were subject to an export ban: but there was nothing to prevent Stern’s Arab carpenter from converting them into picture frames. The US road movie "Nomadland" triumphed at the Bafta film awards on Sunday, with Chinese director Chloe Zhao's intimate portrayal of marginalised Americans winning in four categories including best film, best actress and best director. This autumn the famous K-pop stars Song Min-ho and Kang Seung-yoon will exhibit their paintings and photographs at London. These expeditions resulted in a wealth of artistic creativity and energy as well as the publication of two illustrated journals: Congo published in 1943 and Zanzibar in 1948. ‘Arab with Dagger’ painted during Irma Stern’s Zanzibar visits. In 1913 Stern studied art in Germany at the Weimar Academy, in 1914 at the Levin-Funcke Studio[1] and notably from 1917 with Max Pechstein, a founder of the Novembergruppe. Seated Woman, Zanzibar, dated 1945 gouache and pencil crayon on paper laid down on cardboard Works on Paper. Gladioli by Irma Stern, R13,368,000. She travelled extensively in South Africa, for example in 1926 to Swaziland (now Eswatini, a landlocked country in Southern Africa), and Pondoland (now EmaMpondweni, a natural region located in the coastal belt of the Eastern Cape province, South Africa), in 1933 to Namaqualand (an arid region of Namibia and South Africa), in 1936 generally, and in 1941 to the Eastern Cape. "I am living in an old Arab house opposite the mosque called the Sultan's Mosque. Bonhams has sold many works from Stern’s Zanzibar period, including Arab Priest (1945), which achieved £3 million in 2011, making it the world auction record for a painting by Stern and the most valuable South African painting ever sold at auction. Twee boeke wat deur haar geskryf en geïllustreer is, het hieruit ontstaan, naamlik Congo (1943) en Zanzibar (1948), terwyl 'n vroeëre publikasie, Visionen, reeds in 1920 verskyn het. Provenance . Stern's dream was to travel extensively in her lifetime: in 1930 to Madeira, in 1937 and 1938 to Dakar, Senegal, 1939 Zanzibar, 1942 Congo, 1945 Zanzibar, 1946 Central Africa, 1952 Madeira, 1955 Congo, 1960 Spain and 1963 France. [2] She held her first exhibition in Berlin in 1919. Irma Stern painted "Arab with Dagger" during her second visit to Zanzibar between 21st July and 30th October 1945. "There are a lot of things in this world that we cannot read in a book or watch a documentary about, it is best to go and see it.". [4] Stern's Gladioli was sold for an all-time high of R13.3 million in October 2010,[5] but was then followed by the sale of Bahora Girl for R26.7 million later that month[6] - both were also records for sales of South African art at the time. ‘Zanzibar Lady’ was created in 1941 by Irma Stern in Post-Impressionism style. These trips provided a wide range of subject matter for her paintings and gave her opportunities to acquire and assemble a collection of artifacts. Irma Stern is one of the most well known names when it comes to South African art. The Arab community of Zanzibar was a powerful inspiration for South African painter Irma Stern during her two extended stays on the island in 1939 and 1945. Of Arab with Dagger, Wrathall writes: “Look at the way she uses greens to suggest the silver of the J-shaped khanjar her Arab with Dagger wears tucked into the sash of his dishdasha; at the flame-like colours and folds of his turban; at the way she shapes the hand and beard to reflect each other. As with many works from Stern’s Zanzibar trips, the painting is framed in wood cut from Zanzibar doors. Art Painting Images Paintings I Love Art Images Painting & Drawing Art Paintings Painting Portraits Illustrations Illustration Art Blog Art. Zanzibar Room The former entrance to Irma Stern’s home is dominated by a wood-carved door from Zanzibar which she had installed here after her travels to the island. On 11 November 2012, Stern's painting, Fishing Boats, was stolen along with four other paintings from a museum in Pretoria. Stern travelled extensively in South Africa, for example in 1926 to Swaziland and Pondoland, in 1933 to Namaqualand, in 1936 generally, and in 1941 to the Eastern Cape. “But Pechstein, who had in 1910 painted an African woman in Germany (Nelly, now in the San Francisco Museum of Modern Art) and had travelled to Palau in the South Pacific to find inspiration among its islanders, encouraged her to look to the continent of her birth for subjects,” says Wrathall. Stern’s joyous use of bright, expressive colour is … Writing in the spring edition of Bonhams Magazine, Claire Wrathall shows how Stern’s Zanzibar works represent a perfect blend of the inspiration she took from her new environment with the influence of her artistic training in Germany after the First World War, especially that of her mentor, German Expressionist painter and sculptor, Max Pechstein. Designed and crafted by the renowned Emirati artist, Mattar Bin Lahej, the Power of Words installations represent part of the legacy laid down by the UAE’s late founding father. Stern had already grasped the tenets of Expressionism: that feeling was more important than realism, that colour could be representative quite as much as iconography, and that evidence of gesture, of the physicality of painting, was an effective conduit of emotion. Irma Stern was born in 1894 in the small South African town of Schwiezer-Reneke. It is pale blue and cool looking, with long stone rest-banks on which the pious seem to spend their days and nights." Dated by the artist 1945. ISANG 57/33, "South Africa art stolen from Pretoria museum recovered", https://en.wikipedia.org/w/index.php?title=Irma_Stern&oldid=1009454134, South African people of German-Jewish descent, Short description is different from Wikidata, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 February 2021, at 17:59. Stern was born in Schweizer-Reneke, a small town in the Transvaal, of German-Jewish parents. This painting helped save Nelson Mandela’s life. Stern was associated with the German Expressionist painters of this period. Estimate . Undeterred, Stern continued to travel extensively across Africa in search of colourful and 'exotic' subject matter that was little seen on South African canvases at the time, visiting the Congo, Central Africa, Senegal and Zanzibar as well as Swaziland, Namaqualand and Pondoland. Irma Stern travels extensively in Europe and explores Southern Africa, Zanzibar and the Congo. This painting is in an original frame, handmade by Irma Stern with Zanzibar wood, so it was also worth quite a lot of money. Oil on canvas. Realized Price +17%. Những chuyến đi này cung cấp một loạt các chủ đề cho các bức tranh của bà và cho bà cơ hội để có được và thu thập một bộ sưu tập hiện vật. “I knew what I had to express — the suffering and agony that war means to all life,” she wrote. above mid-estimate. Irma Stern refused to either travel or exhibit in Germany during the period 1933 - 1945. They were divorced in 1934. LONDON.-One of Irma Stern’s major Zanzibar paintings Arab with Dagger sold for £922,750 at Bonhams’ Modern and Contemporary African Art sale in London today, Wednesday 17 March. During her travels she collected artefacts for her collection and subject matter for … Irma Stern set ‘Arab in Black’ in an antique Zanzibar frame. Van Schaik, 1948 - Artists' illustrated books - 100 pages. Irma Stern traveled extensively in Europe and explored Southern Africa, Zanzibar … Saved by Everly Singleton. 1945–1966. These trips provided a wide range of subject matter for her paintings and gave her opportunities to acquire and assemble a collection of artifacts. The portraiture and still life of Irma Stern Oil on canvas, dated by the artist 1938. After the war, the family returned to Germany and would constantly travel. Arnold (Marion) Irma Stern: A Feast for the Eye, (Fernwood Press, 1995) pages 13 &21. 78 by 57cm . We haven't found any … This travel would influence Irma's work. She moved into The Firs in Rondebosch in 1927 and lived there until her death. She was particularly fascinated by the older men in whose faces she saw, in her own words, “depths of suffering, profound wisdom and full understanding of all the pleasures of life — faces alive with life’s experiences.” One of the fruits of her second Zanzibar trip, Arab with Dagger, leads Bonhams’ Modern and Contemporary African Art sale in London, on March 17. Irma Stern was born on 2 October 1894 at Schweizer-Reneke, ... Zanzibar in 1939 and 1945; the Congo in 1942 – holding a successful exhibition in Elizabethville afterwards - and again in 1946 and 1955. The Arab community of Zanzibar was a powerful inspiration for South African painter Irma Stern during her two extended stays on the island in 1939 and 1945. 'Notwithstanding her verbal difficulties, Stern could produce vivid word pictures and, writing as she would paint, she created Congo (1943) and Zanzibar (1948) using energetic sentences pulsing with her romantic response to … Irma Stern travelled extensively in Europe and explored Southern Africa, Zanzibar and the Congo region. Irma Stern đã đi du lịch nhiều nơi ở Châu Âu và khám phá Nam Phi, Zanzibar và khu vực Congo. What people are saying - Write a review. It ranks equally with two major Sterns recently sold at auction, Arab Priest, which achieved R33 411 915 and Bahora Girl, which sold for R26 062 159. Mansha announced the news on her Instagram account. Bonhams, founded in 1793, is one of the world’s largest and most renowned auctioneers, offering fine art and antiques, motor cars and jewellery. It took time for Stern's espousal of modernism, color, and rhythm to find acceptance in the conservative art world of South Africa. Irma Stern - Zanzibar Woman. The 79-lot sale made a total of £3,735,310. Several of the rooms are furnished as she arranged them while upstairs there is a commercial gallery used by contemporary South African artists. Stern’s fondness for flowers is given free rein in … Signed . The enchantment of Islam was further expounded by her visit to Zanzibar, which resulted in a plethora of portraits of Malay and Arab people - amongst which are those considered to be the crescendo of her creative output. Her father was interned in a concentration camp by the British during the South African War because of his pro-Boer leanings. Even more so when it comes to woman in South African art. After the war, the family returned to Germany and would constantly travel. Her dream was to travel extensively in her lifetime: in 1930 to Madeira (Portugal), in 1937 and 1938 to Dakar, Senegal, 1939 Zanzibar, 1942 Congo, 1945 Zanzibar, 1946 Central Africa, 1952 Madeira, 1955 Congo, 1960 Spain and 1963 France. Pechstein, Wrathall notes, had admired her painting Das Ewige Kind (The Eternal Child, now in the Rupert Museum in Stellenbosch, South Africa), made in 1916, of a little girl, with, as Stern put it, “large mistrusting eyes (and) an embittered tight mouth, sitting on a chair, her plaits hanging straight off her naked forehead, her undefined hands clinging to a few field flowers … so as to assure that some beauty was always left”, against a vivid ground of loosely painted arsenic green.
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